FOR ALL THAT FEEL

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Precious Metal. Market Watch. Pinterest Reddit. Busy electioneering here for the May 12 polling, the BJP leader said she had only stressed that while working she never gives any importance to caste and religion but feels bad when people say that they will not vote for her as they do not want to vote for "lotus".

When we work, we work for all and that time nobody is concerned about lotus, but when it is time to vote and people tell us that they will not vote for me because they don't want to vote for the lotus symbol, it feels very bad," she said. Maneka Gandhi was banned by the Election Commission from campaigning for 48 hours last month for her remarks. You have heard my speeches," she said. Asked as to why she has swapped constituency with son Varun Gandhi, who is now contesting from Pilibhit, she said it was the party's decision and she will continue to take the development works ahead.

Last month, Maneka Gandhi had a rally told Muslims to vote for her as they will need her once the Lok Sabha elections are over. Gandhi, the BJP candidate from Sultanpur Lok Sabha constituency, claimed she is all set to win and told the Muslim audience that "you might need me tomorrow". Read more on Election Commission. Lok Sabha elections. These lyrics are seared into my brain forever, which is probably the case for anyone who watched the early '00s show The O.

This song was used during Summer and Seth's slow dance , and instantly became one of the most iconic scenes of the series.

Atmospheres

Written by Gwen Stefani about bandmate Tony Kanal after he ended their seven-year relationship, this song still gets me every single time I hear it. This song was originally released by John Michael Montgomery as a single in In '94, AllOne released their version of the song, which landed on the Billboard Hot in If this song doesn't immediately transport you to a school dance where you avoided eye contact with your dance partner while swaying to one of AllOne's most memorable songs, I don't know what would.

This song is the theme song for probably the majority of '90s kid and yes, it almost feels shocking that it came out before Y2K to me, too. According to Billboard , the song spent two weeks at the number one spot on Billboard 's Hot , and stayed on the charts for 32 weeks. The original version came out earlier, but Elton John retooled this version as a tribute to Princess Diana after her death in It spent 14 peak weeks on Billboard Hot 's.

Oh I'm sorry, your young life wasn't irrevocably changed by Titanic?

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Speak for yourself. The song, which became the main theme song for James Cameron's film, is still to this day one of the most beautiful songs every written. Dion is still performing it, like at the Billboard Music Awards in celebration of the 20th anniversary of the film. God bless you, Boyz II Men.

1. You don’t quite know yourself (yet)

At the time, we had no idea what we were singing about, but boy did we love those harmonies. You might feel guilty that other people are poor, that your friend is jealous, that there are starving people in the world. So, it is something of a relief to hear that I can be helped — that I can be self-helped.

My guilt, in other words, is a sign not of my guilt but of my innocence — even my victimhood. Imagine that: a first-class life. This sort of advice, which frames guilt as our most fundamentally inhibiting emotion, takes insights from psychoanalytic and feminist thinking and transforms them into the language of business motivation. The promise is that our guilt can be expiated by making money. So, the guilt that blocks and inhibits us also propels us to work, work, work, to become relentlessly productive in the hope that we might — by our good works — rid ourselves of guilt.

Guilt thus renders us productive and unproductive, workaholic and workphobic — a conflict that might explain the extreme and even violent lengths to which people sometimes will go, whether by scapegoating others or sacrificing themselves, to be rid of what many people consider the most unbearable emotion. What is the potency of guilt?

With its inflationary logic, guilt looks, if anything, to have accumulated over time. Although we tend to blame religion for condemning man to life as a sinner, the guilt that may once have attached to specific vices — vices for which religious communities could prescribe appropriate penance — now seems, in a more secular era, to surface in relation to just about anything: food, sex, money, work, unemployment, leisure, health, fitness, politics, family, friends, colleagues, strangers, entertainment, travel, the environment, you name it.

The great crusaders of modernity were supposed to uproot our guilt. The subject of countless high-minded critiques, guilt was accused by modern thinkers of sapping the life out of us and causing our psychological deterioration. It was said to make us weak Nietzsche , neurotic Freud , inauthentic Sartre.

In the latter part of the 20th century, various critical theories gained academic credibility, particularly within the humanities. These were theories that sought to show — whether with reference to class relations, race relations, gender relations — how we are all cogs in a larger system of power.

We All Feel Better in the Dark

We may play our parts in regimes of oppression, but we are also at the mercy of forces larger than us. As a teacher of critical theory, I know how crucial and revelatory its insights can be. When wielded indelicately, explanatory theories can offer their adherents a foolproof system for knowing exactly what view to hold, with impunity, about pretty much everything — as if one could take out an insurance policy to be sure of always being right. The notion that our intellectual frameworks might be as much a reaction to our guilt as a remedy for it might sound familiar to a religious person. His guilt is a constant, nagging reminder that he has taken this wrong turn.

Could that be the reason for our guilt?


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Not our lack of knowledge — but rather our presumption of it? When we feel guilty we at least have the comfort of being certain of something — of knowing, finally, the right way to feel, which is bad. By the end of the story, it has been discovered which culprit is guilty: case closed. Thus guilt, in its popular rendering, is what converts our ignorance into knowledge. Our feelings of guilt may be a confession, but they usually precede the accusation of any crime — the details of which not even the guilty person can be sure.

One can just as well recount a more recent and assuredly secular story of the fall of man.

In other words, guilt is our unassailable historical condition. As such, says Adorno, we all have a shared responsibility after Auschwitz to be vigilant, lest we collapse once more into the ways of thinking, believing and behaving that brought down this guilty verdict upon us.

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